Over the past few years I have slowly surccum to an addiction. An addiction to sound technology. I’m a huge gear head, obsessed with mics, outboard and the idea of owning my own studio. As my addiction became worse I knew i would have to dedicate my life to the world of recording sound, and probably being poor for the rest of my life. Oh well, I guess I can’t complain when I get to do what I love. I’m currently studying sound technology at LIPA in Liverpool and having a great time practically living in their studios. I love what I do and want to share some of it with you all. It might be interesting crap I find on the internet, ideas I’m playing around with in the studio or even things I’m taught about at uni. In this case it’s the latter.
Today we were talking about a couple of interesting thing. The first is Steve Albini. The famous “producer” who refuses to call himself a producer. He is a great engineer, working with some of my favorite bands, Pixies, Nirvana and Fugazi. There is a letter he wrote to Nirvana when they asked him to produce their album ‘In Utero’ which you can have a read for yourself here. I really echo his sentiment, the idea that the producer or engineer is there to help the band and capture them at their best, not to take control and use them as instruments to create the music the producer or record company wants to make. In my opinion (and I understand that we all need to make a living), music should never be about making money. Music is something that helps and heals us and really should be created for enjoyment, not changed just to make a few extra quid.
The second thing I want to share with you is something from the strange mind of Brian Eno, the producer behind U2, Coldplay and many more. He and his friend, the artist Peter Schmidt, created the Oblique Strategies. These are a deck of cards to try and help defeat the monotony that idea creation can be. A series of words and phrases to help you break free from your standard routine. Now if they will actually help you with your songwriting or mixing, or just confuse the hell out of you depends on what kind of person you are. Regardless, I hope you find them as interesting as I did, even if just as an insight into the brain of Eno.
On a final note, I just got the first radio play of any song I’ve ever worked on! If you want to have a listen or check out any of my other work, head over to my Facebook.
Thanks for reading,